Anxieties about the future haunt pop music

In 2011, pop music scholar Simon Reynolds was already observing pop culture’s fascination with its own past, noting that “we live in a pop age gone loco for retro and crazy for commemoration.” For Reynolds, this obsession with the past has the potential to bring about the end of pop music culture: “Could it be,” he asks, “that the greatest danger to the future of our music culture is … its past?” The situation has not improved in the years since Reynolds voiced his concerns. Our fixation on the popular music of previous decades threatens our future by stifling originality. Thanks to recording technology, and now to more recent devel......

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